
In a German town, teacher Irene leads an inconspicuous, boring, lonely life. One day, a man rings at her door and slips in. It's an armed convict from the prison next door, escaped with a leg wound. He now makes her a prisoner in her own home. Almost without a word, as if she secretly enjoys the excitement or just mesmerized, she obeys Vassily, every single command, even sexual services, submissively or after a symbolic struggle. Somehow that seems to change, but can force initiate love?
Directed by Iain Dilthey, Prisoners leans on a strong ensemble — Jule Böwe, Andreas Schmidt, Eva Löbau — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2006.
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While participating in a rehabilitation program training wild mustangs, a convict at first struggles to connect with the horses and his fellow inmates, but he learns to confront his violent past as he soothes an especially feisty horse.
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