
A young journalist asks an old artist about the portrait of a naked Indian woman that he has in his study. The artist tells the story of Maria Candelaria, a young Indian woman who was rejected by her own people for being the daughter of a prostitute. She is protected by a young Indian man, Lorenzo Rafael, who has fallen in love with her.
Directed by Emilio Fernández, Maria Candelaria leans on a strong ensemble — Dolores del Río, Pedro Armendáriz, Alberto Galán — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1944.
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Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson for four days in the 1960s.
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