
Self-made man Emerson Boyd of Every-town owns the Boyd Mills, which uses child labor and disregards health regulations, and the Boyd Chemical Company, which manufactures harmful patent medicines. Crooked politician David Duncan, the mills's general manager, misinforms Boyd about factory conditions. After Boyd's beloved daughter postpones accepting the proposal of Matthew Brand, an unambitious rich young man, until he does something for humanity, Matthew reads an exposé of the mills by editor Clifford Cole. He buys Cole's newspaper when Boyd attempts to stifle it and supports the National Tuberculosis Society's proposal to build a sanitarium in Every-town to combat the rise of tuberculosis.
Directed by Stuart Paton, The White Terror leans on a strong ensemble — Hobart Henley, Frances Nelson, William Welsh — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1915.
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Widower Tom, on the recent passing of his wife Mary, uses his free bus pass to travel the length of Britain from John O'Groats in Caithness to Land's End in Cornwall, their shared birthplace, using only local buses. It's an incident-fuelled nostalgia trip and his encounters with local people make him a media phenomenon. Tom is totally unaware and to his surprise on arrival at Land’s End he’s greeted as a celebrity.
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