İki

Meltem is very happy with her daughter Beril in their two-story house with a garden outside the city. Beril plays in the garden and paints pictures in front of the fireplace at home. The only thing that prevents Beril from being completely happy is her longing for her father. When asked about her father, Meltem does not give complete answers. While Beril is having a good time, Meltem is having some issues with the house's longtime caretaker. The old man appears at odd times, speaks very little, and seems to be waiting for Meltem to do something. Meltem is quite disturbed by the man's behavior. On top of that, the shared nightmares that Beril and Meltem have begun to experience, along with the people Meltem sees and the voices she hears, have started to cast a shadow over their happiness. The mother and daughter are defenseless in the house. The caretaker may be the greatest threat to them. Additionally, an old gravestone by the pond in the garden holds its own mystery.

Directed by Fatih Gürler, Ramazan Özer, İki leans on a strong ensemble — Taner Cindoruk, Tuana Naz Tiryaki, Tuğba Tutuğ — to carry a story that balances spectacle with character.

The film landed with audiences for its craft and performances, and remains one of the most talked-about horror titles of 2017.