
1946, Kyrgyzstan, evacuated from Leningrad woman with two children — boys of six and ten years. Their father is in hospital, badly wounded. Time is poor, hungry. The family fights for life, selling homemade rugs on the market and picking up everything that can be useful in the economy on the ruins of abandoned houses. Once the brothers find in the dump a book with wonderful pictures. This is Alexander Pushkin's fairy tale "goldfish". The mother reads it to them before bedtime — and in the lives of boys be the dream and the sense of becoming owners of the coveted gold fish and the three wishes, one of which, of course, the return of the father, alive and well.
Directed by Aleksandr Galibin, Goldfish leans on a strong ensemble — Vladimir Verevochkin, Mariya Biork, Yaroslav Efremenko — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2016.
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The warmhearted story of Polish immigrant and mathematician Stan Ulam, who moved to the U.S. in the 1930s. Stan deals with the difficult losses of family and friends all while helping to create the hydrogen bomb and the first computer.
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