
A disfigured man becomes a circus puppeteer and tries to destroy a waif's love.
Directed by Frank Hall Crane, The Puppet Man leans on a strong ensemble — Hugh Miller, Molly Adair, Hilda Anthony — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 1921.
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On the lam, criminal Alonzo hides in the circus as The Armless Wonder—a performer who uses his feet to hurl knives. Alonzo keeps the arms he really has concealed to hide his identity. Meanwhile, ringmaster's daughter Nanon has a phobia of being touched by men, but is romantically pursued by not only Alonzo but the strongman Malabar. Alonzo's desperation to remain with Nanon will only end in tragedy.
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