
Also known as Lilac, this early Anatole Litvak-directed talkie was based on a play by Tristan Bernard and Charles Henry Hirsch. The story bears traces of the Bertold Brecht-Weill piece The Threepenny Opera, with heroine Lilac (Marcelle Romeo) consorting with the criminal scum of Paris. Lilac falls in love with a handsome detective (Andre Luguet), but he doesn't let his emotions stand in the way of his duty, and in the end he reluctantly turns her over to the authorities. At $120,000, Coeur de Lilas was one of the most expensive movies to come out of France in 1931, but it more than made back its cost at the box-office.
Directed by Anatole Litvak, Lilac leans on a strong ensemble — Marcelle Romee, André Luguet, Fréhel — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about crime titles of 1932.
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Biarritz, 1933. Charm and talent assist small-time swindler Serge Alexandre, alias Stavisky, to bribe his way into the centre of French politics. But when his great scam involving millions is exposed, he brings the government to the verge of collapse and the country to the brink of civil war.
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