
Albert Durandal is unable to keep a job for more than a few days. The reason: he hums while working, which invariably irritates his superiors. He is not hired as a singer for all that, as no music producer is prepared to bet on him. At the moment he is as free as a (singing) bird and accepts to take care of Josette, the little daughter of Jeanne, his neighbor, who is sick and has to go to a sanitarium. One day, while walking down the street, he helps an old man who has an attack. The latter happens to be an influential millionaire. And with a heart of gold into the bargain : he helps Albert to make it in the singing career. And as Jeanne has recovered, he can marry her and adopt Josette.
Directed by Christian-Jaque, Josette leans on a strong ensemble — Fernandel, Josette Contandin, Lucien Rozenberg — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1937.
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A talented cellist, Marie, is secretly losing her sight due to a degenerative eye disease. Determined to attend a prestigious music school, she strikes a pact with her struggling classmate Victor: she’ll help him with his homework if he becomes her “eyes,” helping her hide her condition as she prepares for the entrance exam. As the two grow closer, their arrangement begins to change both of their lives.
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