
A psychological thriller. One quite ordinary summer morning five different and unacquainted people leave their apartments at different floors and enter the lift. The doors close behind the last passenger and the lift starts descending. The moments pass, but the lift is not going to stop, the impression of endless moving appears and grows. Panic transforms into fear with every passing minute, situation is getting out of control. The lift cage transforms into closed space, into moving rattrap from which there is no escape. How would the five people behave in such hopeless situation? Their souls are assaulted by doubts and fear, they are filled with overwhelming feeling of inevitability and despair as around them the ordinary is turning into the unreal. Have you ever wondered what your companions in the lift are? Are they really what they claim to be? Or maybe you should fear them?
Directed by Vsevolod Plotkin, Lift leans on a strong ensemble — Igor Vernik, Daniil Spivakovskiy, Sergey Gorobchenko — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about mystery titles of 2006.
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Milton, a college dropout, was only supposed to cook meth for one day. Broken out of rehab by a brash young woman and her trigger-happy ("ex") boyfriend and driven to a remote cabin the woods, Milton finds himself drawn into a dangerous love triangle gone haywire. The couple's deadpan half-truths spin around Milton like a song on repeat. They seem to read him like an open book, until a mysterious message opens his eyes to his cursed existence. With unlimited ammunition, any hunting tool they could desire, and an ever-growing body count, for what did Milton really sign up?
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