
In 1970, a British film crew set out to make a straightforward literary portrait of James Baldwin set in Paris, insisting on setting aside his political activism. Baldwin bristled at their questions, and the result is a fascinating, confrontational, often uncomfortable butting of heads between the filmmakers and their subject, in which the author visits the Bastille and other Parisian landmarks and reflects on revolution, colonialism, and what it means to be a Black expatriate in Europe.
Directed by Terence Dixon, Meeting the Man: James Baldwin in Paris leans on a strong ensemble — James Baldwin, Terence Dixon — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about documentary titles of 1971.
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