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Directed by Erik Ode, Liebe, Jazz und Übermut leans on a strong ensemble — Peter Alexander, Bibi Johns, Rudolf Platte — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about music titles of 1957.
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After the highs of winning the world championships, the Bellas find themselves split apart and discovering there aren't job prospects for making music with your mouth. But when they get the chance to reunite for an overseas USO tour, this group of awesome nerds will come together to make some music, and some questionable decisions, one last time.
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