
Bobby Guibert and Pat Duvallon are the best of friends. They are also big party animals. Honorine, Bobby's aunt, is outraged by her nephew's bad behavior, all the more as it is with her money that the young man paints the city red, always accompanied by Pat. She then decides to send them both to the West Indies, where she owns a sugar-cane plantation, in the hope that far from temptation they will reform. Once there, the two revelers come up with nothing better than - swap identities, which will be the cause of a series of cheerful misunderstandings. Everything will end not in one, but several marriages.
Directed by René Guissart, Toi, c'est moi leans on a strong ensemble — Jacques Pills, Junie Astor, Pauline Carton — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1936.
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Alex, a quiet forty-something, leads an ordinary life until new neighbours move in. The husband is Alex’s perfect lookalike… except for one thing: he has hair. Alex sinks into a growing paranoia as he becomes preoccupied with this more charismatic, brilliant and accomplished mysterious double.
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