
Martin Berger’s 'Menschen' serves as a harrowing socio-cinematic autopsy of the human spirit, adrift in the wreckage of a post-war landscape. Far from the escapist fantasies that often dominated early Weimar screens, this 1921 opus delves into the penumbral existence of the disenfranchised. The narrative follows a fatalistic trajectory, where the characters—portrayed with a raw, almost primitive intensity—grapple with the crushing weight of systemic indifference and personal moral decay.
Directed by Martin Berger, Menschen leans on a strong ensemble — Grete Ly, Eugen Klöpfer, Ilka Grüning — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1920.
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94-year-old Eleanor Morgenstein tries to rebuild her life after the death of her best friend. As a result, she moves back to New York City after living in Florida for decades.
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