
It is the story of the dilemmas and struggles in the life of a film director during a period when fear and despair reigned, people were imprisoned, tortured, and killed. The director, who wants to make a film about Nazım Hikmet, is trying to find the money to do so.
Directed by Ali Özgentürk, Su da Yanar leans on a strong ensemble — Tarık Akan, Nathalie Duverne, Şahika Tekand — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1987.
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The film is a love story. However, it is not a story about the love between two people, but rather a story about the love and affection that a group of people feel for life and for each other. The film depicts all kinds of love, from east to west, from schoolchildren to villagers, from young to old, in both an emotional and humorous way.
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