
“Plasma Vista” allowed the artists to explore themes of economics, production, creativity and collaboration. Objects and devices become bodily and manipulative. The magician is a composed cartoon machine repeating tricks and equations. When products become prosthetics does the accessory take some emotional control? A creative trance. A collaborative force. A playful duplication of the self with greater consequence that first suspected. A filmic exhibit and retail site that morphed into an experimental piece of moving image occupying the dual space between utility and art.
Directed by Sarah Cockings, Harriet Fleuriot, Plasma Vista leans on a strong ensemble — Miss Cairo — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 2016.
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