
When Max Oliver learns his photographer brother has been killed, he suspects it was no random murder. And when he finds his brothers' last photos of a powerful senator and a prostitute, Max gets a clear picture of a deadly political cover-up. Seeking to expose his brother's killer, Max enters a murderous game of cat and mouse, stalked by a cold-blooded assassin who has Max dead in his sights.
Directed by David Winning, Killer Image leans on a strong ensemble — Michael Ironside, M. Emmet Walsh, John Pyper-Ferguson — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about thriller titles of 1992.
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Looking for work, Aaron comes across a cryptic online ad: “$1,000 for the day. Filming service. Discretion is appreciated.” Low on cash and full of naiveté, he decides to go for it. He drives to a cabin in a remote mountain town where he meets Josef, his cinematic subject for the day. Josef is sincere and the project seems heartfelt, so Aaron begins to film. But as the day goes on, it becomes clear that Josef is not who he says, and his intentions are not at all pure.
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