
"It's really a beautiful picture." The story of a drug-fueled weekend in a Brooklyn apartment propelled by grief and loyalty. Lee, reeling from the death of his mother, visits the home of his old friend, Monty. Given his present state of mind (and body), it’s not a pleasant visit, at least from the perspective of Monty’s well put together wife, Virginia. This bold experiment from director Elliot Conrad roars beyond the limits of plot creating an indelible portrait of a friendship and a marriage ramming into one other.
Directed by Elliot Conrad, Gottlieb leans on a strong ensemble — Shayne Kennon, Lash Dooley, Yoni Lotan — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2018.
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In a suburban landscape, the lives of several families interlace with loss, despair and personal crisis. Esther Gold has lost focus on all but caring for her comatose son, Paul, and neglects her daughter and husband. Lawyer Jim Train is devoted to his career, not his family. Helen Christianson wants to find a new spark in life, while Annette Jennings tries to rebuild hers.
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