
A small but powerful orchestra with strict melodies and rhythms in the spirit of “Avia” unleashes a mechanical frenzy: artists under a thick layer of make-up are throwing replicas from Harms' stories and notebooks. Ultimately, this plotless musical by Maxim Didenko with the artists of the Gogol Center claims to incarnate (literally, from the word “flesh”) the universe of a unique writer, the demiurge of a dislocated reality.
Directed by Maxim Didenko, Gogol online: Kharms. Myr leans on a strong ensemble — Mariya Poezzhaeva, Mikhail Troynik, Philipp Avdeev — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 2020.
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