
In 1964, a new phenomenon exploded on to the dingy British streets. It was the essence of all that was cool. It was Mod. Mods stuck two fingers up at the class-ridden society and its dull redundant culture. They were working-class free spirits who rode sexy streamlined Italian Vespas or Lambrettas. The sharpest Mod of all was known as a 'face'. The Small Faces encapsulated all that is Mod, a unique blend of taste and testosterone, neat, clothes obsessed, and street-wise. But these cult sophisticates shared another passion, their dedication to 'Rhythm n Blues.'
Directed by Tony McHale, All Or Nothing: The Mod Musical leans on a strong ensemble — Carol Harrison, Stefan Edwards, Russell Floyd — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 2020.
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