
Andrés, who lives with his grandmother in a decadent mansion, decides to become a dog in order to overcome his moral prejudices so that he can commit a horrible act.
Directed by Mario Gómez Martín, Can leans on a strong ensemble — Emiliano Redondo, María Sánchez Aroca, Jesús Enguita — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1969.
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