
Charter-boat owner "Tex" Parker is framed on a murder rap by a gang of jewel-and-American currency smugglers operating from the coasts of England and France, with a mid-channel rendezvous. The smugglers use him, his boat and partner, "Soapy", to carry their goods back and forth across the English. During one of the trips, "Tex" is thrown overboard, but is picked up by a French fishing boat and the fisherman take him back to their village, Porte Soliare, where he meets Jacqueline. People who appear to be quite dead early on turn out to be not dead later on, and money and swag and goods keep changing hands with such regularity that, at one point, one guy is searching for something he already has (and doesn't know it), while another guy isn't searching for it because he thinks he has it...but doesn't.
Directed by R.G. Springsteen, Cross Channel leans on a strong ensemble — Wayne Morris, Yvonne Furneaux, Arnold Marlé — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1955.
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A corrupt D.A. with governatorial ambitions is annoyed by an investigative reporter's criticism of his criminal activities and decides to frame the reporter for manslaughter in order to silence him.
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