
Ciprì and Maresco are fierce critics of post-modern society. They bear witness to the colonization of the imagination attributable in part to the omnipresence of mass communications and the globalization of neo-capitalist values. Their works, scatological in the literal but especially in the metaphorical and etiological sense, denounce social institutions and practices thought to be at the root of injustice, inequality and criminality.
Directed by Daniele Ciprì, Franco Maresco, Grazie Lia leans on a strong ensemble — Fortunato Cirrincione, Giuseppe Filangeri, Pietro Giordano — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 1996.
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