
Dhanushkodi, the Indo-Sri Lankan border town, is the crucible wherein History is brewing this concoction of defeated lives and exhausted dreams. Manimekalai, the filmmaker, Soori, a half-wit Sri Lankan Tamil Refugee, Munusamy, the fisherman, Rosemary, the social worker in Jesuit Christian Refugee Services, try hard to retain their sanity in this mad jumble. Their interactions with the dead or living refugees, their skirmishes with the Indian and Sri Lankan States, their personal lives overrun by external events - form the kernel of this narration.
Directed by Leena Manimekalai, Sengadal leans on a strong ensemble — Leena Manimekalai, Antonythasan Jesuthasan, M. Munusamy — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about war titles of 2011.
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After returning home from an extended tour in Afghanistan, a decorated U.S. Army medic and single mother struggles to rebuild her relationship with her young son.
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