
Mobster Pepé Le Mokò dies during a shootout with the police. His gang decide that his successor will be a relative of his from Naples: Antonio Lumaconi (Totò Le Mokò), a street musician.
Directed by Carlo Ludovico Bragaglia, Totò le Mokò leans on a strong ensemble — Totò, Carla Calò, Gianna Maria Canale — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1949.
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A psychiatric-clinic medical director runs some tests on two patients, the Ragionier Antonio Vignanelli and Cavalier Peppino Caprioli, so they must retrieve some memories of family life in order to understand their mental illness.
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