
Professor Turwid is conducting research on a vaccine to combat encephalitis. The medical community is skeptical about this. Suspecting his wife of having an affair with a younger colleague, Count Łański, he fakes his own death. The only person who knows his secret is his servant Feliks. Over the next few years, he passes on information about the situation of his wife and daughter. The professor knows that his suspicions were completely unfounded and that his wife devoted herself entirely to raising their child. After many years, he returns to Warsaw, where he starts working at a clinic and, together with Jerzy, his daughter's future fiancé, completes work on the serum. There is a chance to return to his family, but it may already be too late.
Directed by Michał Waszyński, U kresu drogi leans on a strong ensemble — Kazimierz Junosza-Stepowski, Irena Malkiewicz, Tamara Wiszniewska — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1939.
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Anthropology professor Michal develops two overwhelming obsessions. The first one is a mummified, 3,000 year-old, perfectly preserved body of a shaman he and his colleagues have recently dragged out of a swamp. The second is an enigmatic student he meets by chance at a railway station.
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