
The play is set in the second half of the 18th century during the reign of Catherine the Great. Count Alexey Orlov, who had once contributed to Catherine the Great’s rise to power, falls out of favor and is sent away in disgrace to lead the navy in Italy. While there, he meets a beautiful young woman named Elizabeth who has aspirations for the Russian crown. She claims to be the granddaughter of Peter the Great. In an attempt to win back Catherine's affection by uncovering Elizabeth's plans, Orlov begins an affair. However, what starts off as an innocent fling soon turns into something far more serious.
Directed by Alina Chevik, Count Orlov: musical leans on a strong ensemble — Igor Balalaev, Teona Dolnikova, Ekaterina Guseva — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about music titles of 2012.
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Douglas is a foreign entrepreneur, who ventures to Russia in 1885 with dreams of selling a new, experimental steam-driven timber harvester in the wilds of Siberia. Jane is his assistant. On her travels, she meets two men who would change her life forever: a handsome young cadet Andrej Tolstoy with whom she shares a fondness for opera, and the powerful General Radlov who is entranced by her beauty and wants to marry her.
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