
At the end of the 19th century, in a small village in the Apennines, in a house lost in the middle of a valley, live Alessandro and Pietro, two very different but very close brothers. The two children, aged eleven and thirteen, carefree and full of energy, live like two wild animals, always getting into trouble and spending their days racing carts, diving into the river, and stealing from the cellar. When their mother dies, their father sells his last possessions to buy his sons two beautiful, untamed foals, Baio and Sauro. As adults, while Alessandro feels a growing desire to cross the mountains and go far away, Pietro wants to become a breeder and live with Veronica, the girl he loves.
Directed by Michele Rho, Cavalli leans on a strong ensemble — Vinicio Marchioni, Michele Alhaique, Giulia Michelini — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2011.
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In a small suburb on the outskirts of Rome, the cheerful heat of summer camouflages a stifling atmosphere of alienation. From a distance, the families seem normal, but it’s an illusion: in the houses, courtyards and gardens, silence shrouds the subtle sadism of the fathers, the passivity of the mothers and the guilty indifference of adults. But it’s the desperation and repressed rage of the children that will explode and cut through this grotesque façade, with devastating consequences for the entire community.
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