
Gail Grant, the impetuous daughter of a Pittsburgh steel magnate, arrives at a hotel in Venice and demands the Imperial Suite; in London, George Banning-Green, a persistent admirer, believes that she has gone to Berlin. Searching for "imperial" furnishings, the hotel manager goes to the palace of Prince Dantarini, who is selling the contents of his villa as an aftermath of the war. Dantarini agrees to be her guide in Venice, and when he proposes in his garden, Gail accepts.
Directed by Luther Reed, Honeymoon Hate leans on a strong ensemble — Florence Vidor, Tullio Carminati, William Austin — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1927.
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