
Modeste is a timid watchman at an automobile factory which is run with an iron hand by its owner, Roger Drapeau. One evening, Modeste leaves his post to visit a fairground, where he meets the attractive Aline. Having glimpsed his employer, Modeste makes a hasty return to the factory. When Monsieur Drapeau appears, Modeste explains that it must have been his twin brother that his boss saw at the fairground, a nasty piece of work named Raphaël. Not only does Drapeau fail to see through this unconvincing lie, but it gives him an idea to win a marathon car race. Modeste and Raphaël will take alternate turns in the stages of the race and, because they are so similar, no one will be any the wiser. Unable to admit that he has no brother but afraid of losing his job, Modeste allows himself to be coerced into taking part in the race...
Directed by Christian-Jaque, Raphaël le tatoué leans on a strong ensemble — Fernandel, Armand Bernard, Madeleine Sologne — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1939.
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Baptiste, a talented imitator, is unable to make a living from his art. One day, he is approached by Pierre Chozène, a famous but discreet novelist, constantly disturbed by incessant calls from his publisher, his daughter, his ex-wife... Pierre, who needs peace and quiet to write his most ambitious text, then suggests that Baptiste become his 'answering machine' by pretending to be him on the phone... Little by little, Baptiste doesn't just imitate the writer: he develops his character!
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