
In “The Girl,” art historical traditions of the panorama, landscape painting, and German-Romantic notions of melancholy and the sublime converge with the technological advances of cinema to create a powerful work that both unsettles and inspires.
Directed by Hans Op de Beeck, The Girl leans on a strong ensemble — Elsa Houben — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 2017.
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