
Queen of the demi-monde, Cynthia is madly infatuated with Rogers, an unprincipled scoundrel, who, secure in his dominance over her, openly makes love to other women in her presence. In a moment of desperation, her womanhood coming to the fore, she calls on Father Sullivan, the good priest at the monastery, who soothes her hysteria and tries to show her the path of rectitude. Jackson pursues his prey into the very walls of the monastery, and triumphantly brings Cynthia back with him. Disheartened, the priest is inclined to let her go her way, but a vision of the Savior rise before him, holding out a saving hand to Mary Magdalene, kneeling at his feet. Filled with holy awe, the priest enters the gilded den of vice and calls on Cynthia.
Directed by Stanner E.V. Taylor, The Conflict leans on a strong ensemble — James Kirkwood, Marion Leonard, William R. Randall — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1911.
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