
The breath of the machine fills the air, where the singing can flow. Nina stands in front of the wiggling robot. The soft bodies measure up themselves, sometimes harmonize. The breaths dilate the organs, which swell and fold; transmute the synthetic movement into vital impetus and the vulva into mouth, which inflates until it spreads.
Directed by Cindy Coutant, Nina and the Robots leans on a strong ensemble — Nina André, Annette Bemas, Alice Goudon — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about music titles of 2020.
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