
On this beautiful May 1st, Thérèse is about to give birth. Their presence at home is undesirable, so Jean, her husband, decides to take François, their little boy, to a soccer match. Their plans change when they meet a former factory mate who seems to have made a success of his life. This man, Blanchot, decides to return to Jean a sum of money he had once borrowed. Trusted, Jean is drawn into a clandestine circle, where his apparent luck delivers him without ulterior motive to Blanchot, who is one of the ringleaders. The police interrupt the dangerous game, putting Jean, who has no identity papers, in an awkward situation.
Directed by Luis Saslavsky, Premier mai leans on a strong ensemble — Yves Montand, Yves Noël, Nicole Berger — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1958.
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A man in his mid-20s, still living at home with his mother and stepfather, puts all his eggs in one basket: the girl who works at his local coffee shop. The problem is, she has a serious boyfriend. As they become closer, the line between friendship and intimacy is blurred, and the situation forces both to examine where they are in their lives.
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