
A satirical comedy with elements of metaphysical horror about religion in rural 1960s Soviet Russia. Notable for using first-person pseudo-documentary "found footage" technique framing the movie as the creation of the protagonist, who is returns to his home village from the city to discover that a local drunk has formed a doomsday cult.
Directed by Boris Buneev, The End of the World leans on a strong ensemble — Stanislav Sokolov, Yevgeniya Kolmykova, Tatyana Pelttser — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1963.
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