
A 1968 film that was never released, it is a reflection of the artistic avant-garde that characterized the Argentine scene at that time.
Directed by Alfredo Mathé, De lo que no hay leans on a strong ensemble — Julia Elena Dávalos, Juan Carlos Nassel, Oscar García — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 1968.
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