
Ukrainian existential western. Having lost his family, the old Ivan is going mad, he colors his face with paints and puts on a Gothic head-wear made of feathers, he removes icon from the frame. Ivan builds himself a coffin with his own hands and prepares for meeting with the death. It seems nobody can bring his mind back. An unexpected meeting with a vagabond black dog changes his plans. Looking into the dog's eyes, Ivan comes round, he realizes that the death has arrived and meets it with dignity. The old man washes the paint off and takes away the head-wear, he returns icons to the frames and disassembling the coffin, builds a doghouse for the dog. Ivan dies with a smile on his face.
Directed by Kadim Tarasov, The Coffin leans on a strong ensemble — Oleh Mosiichuk — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about western titles of 2019.
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Monte Walsh is an aging cowboy facing the ending days of the Wild West era. As barbed wire and railways steadily eliminate the need for the cowboy, Monte and his friends are left with fewer and fewer options. New work opportunities are available to them, but the freedom of the open prarie is what they long for. Eventually, they all must say goodbye to the lives they knew, and try to make a new start.
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