
After her mother’s death, Yeyen’s father remarries and she now has a stepmother. Yeyen is then carried away by dreams and stories about stepmothers, and one day, after seeing an interesting event, she is so moved that she does not want to go home. She befriends homeless people and sees the joys of street life. Then the parents of her friend, Yoyo, help her realise that a stepmother is still a mother. She is advised to return home as her father, who accuses the stepmother of doing something bad to her, is frantic with worry. Yeyen finally goes home.
Directed by Fritz G. Schadt, Anak Yatim leans on a strong ensemble — Rully Mangunsong, Sophan Sophiaan, Widyawati Sophiaan — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1973.
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