
A dance drama work that, through movement and very little spoken text, details the interaction of several people residing at or visiting a motel or motor inn named Mountain View. The work spans a period of about 24 hours, following the individuals through late afternoon, an evening spent in the motel bar, and a picnic-style social gathering the next day. Some of the characters encountered are the family who runs the motel (a mother, her young adult son, and an older man, perhaps her father); a spunky, tomboyish girl; an interracial couple lodging at the motel; a young mother; a pair of newlyweds; a barfly; three people involved in a love triangle; and the punkish friends of the motel owner's son.
Directed by Marta Renzi, John Sayles, Mountain View leans on a strong ensemble — Jane Alexander, Jace Alexander, Thomas Eldred — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about music titles of 1989.
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Rhea lives with her tight-knit multigenerational family. After her mother’s death, she has been her father’s emotional rock, and her life revolves around her family’s restaurant, her eclectic group of friends, and her after-school coding club. Everything changes when she falls for aspiring DJ Max and a long lost passion for music is reignited. Rhea discovers that she has a natural gift for creating beats and producing music that blends her Indian heritage, but must find the courage to follow her true inner talent.
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