
Through the lyricism and the baroque energy of the famous Christmas oratorio, super-8 pictures with a prevailing black colour catch in a jerky way an elfic trio of merry male accompplices wandering through the Père Lachaise cemetery. Some sentences taken from ‘Le Dictionnaire de l’Amour’ by Dominique Noguez make their complicity clear and are used as a counterpoint to the ballet of their loitering.
Directed by Stéphane Marti, Oratorio leans on a strong ensemble — Samuel Ganes, Thomas Lagrève, Romain Poli — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 2008.
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Tired of scaring humans every October 31 with the same old bag of tricks, Jack Skellington, the spindly king of Halloween Town, kidnaps Santa Claus and plans to deliver shrunken heads and other ghoulish gifts to children on Christmas morning. But as Christmas approaches, Jack's rag-doll girlfriend, Sally, tries to foil his misguided plans.
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