
A train pulls into Copenhagen Central Station, and 16-year-old Dorte gets off. She needs to find some people on a road somewhere near Svanemøllen. Here, in a beautiful villa, lives Asger Haensen, a director who runs a large company in Copenhagen. He lives with his two children, Margot and Steen. Asger Haensen lives a superficial and overly expensive life—among other things, he has an expensive girlfriend. In the evening, the doorbell rings at the director's house. Outside stands Dorte with a letter that must be delivered to him personally. The letter reveals that Dorte is the result of a small youthful mistake on the part of the director. So Dorte stays in the house. Dorte does not quite fit into the elegant home. But she is feisty—and brings life to the house!
Directed by Jon Iversen, Dorte leans on a strong ensemble — Ib Schønberg, Ilselil Larsen, Preben Neergaard — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about family titles of 1951.
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Hodja is a dreamer. He wants to experience the world, but his father insists he stays home and takes over the family's tailor shop. Fortunately, Hodja meets the old rug merchant El Faza, who gives him a flying carpet. In exchange he has to bring the old man's little granddaughter, Diamond, back to Pjort. El Faza can’t travel to the Sultan city himself, as the mighty ruler has imposed a death sentence on El Faza, on the grounds that he has stolen the Sultan's carpet. However, city life isn't quite what Hodja expected, and he only survives because of Emerald, a poor but street smart girl, who teaches him how to manage in the big world. But when Hodja loses his carpet to the power-hungry sultan, his luck seems to run out. Will he complete his mission, find El Faza's granddaughter and return safely back to Pjort?
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