
Alain finds Marie, whom he still loves, but he is embarrassed by the presence, to say the least, of Nina, who keeps asking him for services. Marie gradually becomes aware of the strong bond that unites Alain and Nina, who has never counted in his eyes.
Directed by Hervé Duhamel, Un dimanche à Paris leans on a strong ensemble — Emmanuelle Bach, Olivier Sitruk, Jeanne Balibar — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 1994.
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After 20 years of marriage, Maria decides to leave her husband. She moves into room 212 at the hotel across the street, with a bird’s-eye view of her apartment, her husband and the life she shared with him. While she wonders if she made the right decision, many of the people in her life offer their opinions on the matter. They intend to let her know, whether she likes it or not, on what proves to be a life-changing evening.
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