
The Hotel Lunik is a refuge for a group of radical utopists. In the center of it all, are the Siblings Franz and Babette, who through their anti-capitalist guerrilla campaigns call into question the basis for a money-based society. On the other side Franz's cousin Toni, is setting up a nightclub on the ground floor of the hotel with an entrepreneurial spirit in diametric opposition to it's surroundings. Guests are to be lured with a high-class lounge act along with a quiz show developed by Franz's own father, Alfons. Toni and his loyal bartender Viktor have their hands full contending with the difficulties of an unmotivated workforce. Among Lunik's odd population are Tom, the bellman with a screw loose, Nora, the pretty cook peeling potatoes and dreaming of a world in show business, and Emilia, the chronically sick photographer who wants to spend her last weeks singing in the company of friends...
Directed by Gilbert Beronneau, Lunik leans on a strong ensemble — Anna Maria Mühe, David Fischer, Thorsten Merten — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2007.
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Set in a warm summer in 1990 in former East Germany, it follows a young woman who begins a relationship with a charismatic farmer who is twice her age.
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