
"Shinto" is an examination of the meaning of objects. Do objects have powers or energies of their own? If so, can we see or feel it? While this may sound heavy and philosophical, the film is actually a lively argument between two neurotic gay men who have been together for too long. As they discuss whether or not to rid themselves of some extra junk, we watch a memory film of one of the character's childhood toy trucks being burned, and a handful of Asian film clips, meant to parody the characters' ridiculous, half understood adoption of Asian philosophy and spirituality.
Directed by R.M. Vaughan, Michael Achtman, Shinto leans on a strong ensemble — Michael Achtman, R.M. Vaughan — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 2000.
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