
A picture of the broken world at the end of the century. A couple of contemporary young Polish intellectuals, artistic souls. They are sensitive beyond mediocrity, hence the daily hustle and bustle is not an excuse for them to live: they want to give it a meaning and shape of their own choosing. They search for their "roots", only to find out once again that, apart from natural tenderness, they have nothing in common with their families. There is no question of rebellion, of generational strife. Today's 30-year-olds face only technical, not sentimental, obstacles; childhood memories of parents not seen every day sink in, the image of a child living apart indifferently.
Directed by Mariusz Front, Portret podwójny leans on a strong ensemble — Maciej Adamczyk, Elżbieta Piekacz, Adam Baumann — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2001.
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