
Giulia is constantly torn between the need to feel at home and be loved and a wild desire for freedom. One day she finds herself homeless and begins, in her own crazy way, to seek shelter and her own place in the world. Between an illusory desire for motherhood and ways to make ends meet, she spends the hottest days of a torrid Roman summer surrounded by elusive characters with empty lives, yet pure and wonderful like her. In a limbo made up of nothing (and everything), Giulia understands that it is up to her to decide how to live, or not to live, her own life.
Directed by Ciro De Caro, Giulia leans on a strong ensemble — Rosa Palasciano, Valerio Di Benedetto, Fabrizio Ciavoni — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2022.
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Giacinto lives with his wife, their ten children and various other family members in a shack on the hills of Rome. Some time ago he has lost his left eye while at work, and got a consistent sum of money from the insurance company, which he keeps hidden from the rest of the family. His whole life is now based on defending the money he sees as his own, while the rest of the family tries to kill him.
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