
September 1987. In a shootout with police, Juan Jose Garfia makes a triple murder. Sentenced to more than one hundred years, is a rebel prisoner, clever and elusive that it has nothing to lose and nobody to worry about. In 1991, manages to escape from a police van jumping up. Stopped after two months of robberies and shootings, Garfia leads several prison riots, against which the authorities takes as a measure subjecting prisoners to a more contentious special isolation regime. Garfia, the prisoner with the highest IQ, avoiding drugs, which seems immune to punishment, and lives two years without seeing anyone, held in a tiny cell and subjected to continuous harassment. There he meets Marimar, a nurse I can barely speak, but between both of a current of mutual understanding.
Directed by Manolo Matji, Hours of Light leans on a strong ensemble — Alberto San Juan, Emma Suárez, José Ángel Egido — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about romance titles of 2004.
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