
Felicia Day is brought up in seclusion by her affectionate but narrow-minded grandfather, Major Trenton. One day, Dudley Hamilt, a choirboy, throws his ball across the fence which separates the rectory from the Trenton yard and meets Felicia, from whom he steals a kiss. Trenton sees the children smooching and, shocked, sends Felicia to Canada. Years pass and Felicia, now an adult, decides to go to New York and make her living as a seamstress. She still yearns for Dudley but decides against seeing him because of her old-fashioned wardrobe. Possessing a natural talent for dancing, Felicia is offered a job by lecherous theatrical manager Allen Graemer, and she accepts. Dudley, attending one of her performances, recognizes his long-lost love and follows her home where he rescues her from Graemer's advances and admits his enduring love for the girl from whom he stole a kiss.
Directed by Kenneth S. Webb, The Stolen Kiss leans on a strong ensemble — Constance Binney, Rod La Rocque, George Backus — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1920.
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