
Thrown back into a dusty 1980s and the height of the Iran/Iraq war, the film is a meditation on the cycles of violence and war and their infectious qualities. Clean, architectural sets are washed over by rivers of blood, as historical grievances are played back like excerpts from a documentary.
Directed by Abed Abest, Killing the Eunuch Khan leans on a strong ensemble — Ebrahim Azizi, Iman Basim, Mah-Sima Kabari — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about crime titles of 2021.
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After a heist, four criminals lay low in a remote safehouse, waiting for orders. As paranoia builds, one thing becomes clear — the real threat may not be outside, but among them.
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