
An employee in an assurance company threatens to commit suicide when management announces a massive layoff, the company uses this threat to its own advantage by turning the incident into an advertising campaign. With the success of the campaign, however, he is no longer a desperate man pointing a gun to his head, but a potential leader who wishes to take advantage of his failed suicide.
Directed by Yoshishige Yoshida, Blood Is Dry leans on a strong ensemble — Keiji Sada, Shinichirō Mikami, Mari Yoshimura — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1960.
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Upon reaching the train station to death, a dejected soul is informed that he is lucky and will have another chance at life. He is placed in the body of a 14-year-old boy named Kobayashi Makoto, who has just committed suicide. Watched over by a neutral spirit named Purapura, the soul must figure out what his greatest sin and mistake in his former life was, before his time limit in Makoto's body runs out. He also has a number of other lesser duties he must complete, such as understanding what led Makoto to commit suicide in the first place and learning how to enjoy his second chance at life.
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