Masa Topan dan Badai

The title “Hurricane and Storm”, is seemingly a translation from Sturm und Drang, a psychological term for puberty or a transition period for an individual's mental state. Kaslan is a conservative and honest bank clerk, while his wife, Miah, is more liberal in terms of discipline. Kaslan is strict with his daughters, Wati and Tina. It makes Wahab afraid to approach the girl of his dream, Wati, since Kaslan always escorts her wherever she goes. Wahab is also jealous by Wati's favourite English teacher and he tries to hang himself when she falls in love with a singer. When the singer rejects Wati, she returns to Wahab. Tina reveals all to her father but before he can scold her, she leaves the house, and returns home only much later. But mother explains about the puberty that Wati is going through. In turn, Wahab also learns to understand Kaslan's reason for his strictness. Then they both graduate from high school.

Directed by D. Djajakusuma, Masa Topan dan Badai leans on a strong ensemble — Wahab Abdi, Sri Redjeki, Mansjur Sjah — to carry a story that balances spectacle with character.

The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1963.